Readings
Adams, Rachel, Benjamin Reiss, and David Serlin. “Disability.” Keywords for Disability Studies. 5-11. [PDF]
Alper, Meryl. “Augmentative, Alternative, and Assistive: Reimagining the History of Mobile Computing and Disability.” [PDF]
Bérubé, Michael. “Introduction: Stories.” The Secret Life of Stories: From Don Quixote to Harry Potter, How Understanding Intellectual Disability Transforms the Way We Read
Cachia, Amanda. “Talking Blind: Disability, Access, and the Discursive Turn.”
Baynton, Douglas C. “Deafness.” (Keywords for Disability Studies) [PDF]
Caeton, D. A. “Blindness.” (Keywords for Disability Studies) [PDF]
Cogdell, Christina. “Design.” (Keywords for Disability Studies) [PDF]
Davidson, Michael. “Aesthetics.” (Keywords for Disability Studies) [PDF]
Dean, Tim. “Queer.” (Keywords for Disability Studies) [PDF]
Ellis, Katie, and Mike Kent. “Universal Design in a Digital World.” [PDF]
Ellis, Katie, and Mike Kent. “(Physical) Disability is a Form of Social Oppression?” [PDF]
Ellis, Katie, and Mike Kent. “Challenges and Opportunities: The Road Ahead for Disability in a Digital World.” [PDF]
Erevelles, Nirmala. “Race.” (Keywords for Disability Studies) [PDF]
Geurts, Kathryn Linn. “Senses.” (Keywords for Disability Studies) [PDF]
Gibbons, Sarah. “Disability, Neurological Diversity, and Inclusive Play: An Examination of the Social and Political Aspects of the Relationship between Disability and Games.”
Gibbons, Sarah. “Playing for Transcendence Deus Ex: Human Revolution and Disability”
Godden, Rick, and Jonathan Hsy. “Universal Design and Its Discontents.”
Hall, Kim Q. “Gender.” (Keywords for Disability Studies) [PDF]
Haraway, Donna. “A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century.” [PDF]
Hayles, N. Katherine. “Prologue.” How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics. [PDF]
Hayles, N. Katherine. “Chapter One: Toward Embodied Virtuality.” How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics.
Hayles, N. Katherine. “Chapter Eleven: Conclusion: What Does It Mean To Be Posthuman?” How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics.
Hendren, Sara. “All Technology Is Assistive: Six Design Rules on ‘Disability.’”
Herrod, Lisa. “Deafness and the User Experience.”
Hess, Amanda. “The Social Media Cure: How People With Chronic Illnesses Use Memes, Selfies, And Emojis To Soothe Their Suffering.”
Imbrue, Rob. “Space.” (Keywords for Disability Studies) [PDF]
Lazar, Jonathan, and Paul Jaeger. “Reducing Barriers to Online Access for People with Disabilities.” [PDF]
Love, Heather. “Stigma.” (Keywords for Disability Studies) [PDF]
McRuer, Robert. “Sexuality.” (Keywords for Disability Studies) [PDF]
Mills, Mara. “Technology.” (Keywords for Disability Studies) [PDF]
Nakamura, Karen. “Introduction” and “The Politics of Japanese Sign Language.” Deaf in Japan: Signing and the Politics of Identity. [PDF]
Norman, Donald A. “The Psychopathology of Everyday Things.” [PDF]
Ott, Katherine. “Prosthetics.” (Keywords for Disability Studies) [PDF]
Padden, Carol. “Communication.” (Keywords for Disability Studies) [PDF]
Savarese, Ralph James. “Cognition.” (Keywords for Disability Studies) [PDF]
Shakespeare, Tom. “The Social Model of Disability.” [PDF]
Shildrick, Margrit. “Sex.” (Keywords for Disability Studies) [PDF]
Siebers, Tobin. “Disability and the Theory of Complex Embodiment: For Identity Politics in a New Register.” [PDF]
Titchkosky, Tanya. “Normal.” (Keywords for Disability Studies) [PDF]
WebAIM. “Cognitive Disabilities, Part 1: We Still Know Too Little, and We Do Even Less.”
WebAIM. “Cognitive Disabilities, Part 2: Conceptualizing Design Considerations.”
WebAIM. “Constructing a POUR Website.”
WebAIM. “Considering the User Perspective: A Summary of Design Issues.”
Wilkerson, Abby. “Embodiment.” (Keywords for Disability Studies) [PDF]
Williams, George H. “Disability, Universal Design, and the Digital Humanities.”
Williamson, Bess. “Access.” (Keywords for Disability Studies) [PDF]
Zdenek, Sean. “Which Sounds Are Significant? Towards a Rhetoric of Closed Captioning.”